‘The Magnificent Seven’ … A classic story retold…again

Rating 2/5 

When Akira Kurosawa’s 1956 film The Seven Samurai was remade into a stirring Western (The Magnificent Seven) and released in 1960, John Sturges directed a fun, colorful, and exciting adventure and one of the great classic Westerns of all time. Although I found the 1960 film version a bit slow at times during the first act, there was enough to keep me interested and entertained. This 2016 Antoine Fuqua directed version kept the story of the original, but with some character and setting changes.

The story begins in 1879 in a small frontier town in Rose Creek. Enter the antagonist Bartholomew Bogue (Peter Sarsgaard), who is operating a gold mining business, and he comes into town to a church during a service and offers money to the residents for their land. They can take the offer or suffer the consequences. After burning the church and killing a few citizens, a widow, Emma Cullen (Hayley Bennett), decides she isn’t going to accept Bogue’s tyranny. She searches for some men who could help her people stand up to Bogue. She soon meets an officer of the court Sam Chisolm (Denzel Washington), who agrees to help her. The group in this version is much more diverse than in the 1960 original. Chisolm brings on Josh Faraday (Chris Pratt), a Mexican (Manuel Garcia-Rulfo), a Civil War sharpshooter Goodnight Robicheaux (Ethan Hawke) and his Asian pal, Billy Rocks (Byung-hun Lee). They soon find Jack Horne (Vincent D’Onofrio) and a Comanche Indian Red Harvest (Martin Sensmeier).

Like the original, it had some big names with a few relatively unknown actors in the roles. Washington delivers a decent performance, but it lacked energy and the personality to really care enough about the character. Pratt brought his usual charm and charisma, but the character still remained insufficient to truly feel for the character. The remaining five also failed to provide any real connection. However, Sarsgaard nearly shines as the greedy villain. He provides a performance that makes you want a satisfying character death.

There were aspects I liked about this film, and it had its highs and lows, but it seemed to lack the energy and overall pace of the original. On its own, this film is a decent Western. But viewing it as a remake, it lacks something from the original. I did like the fact that the protagonist (Chisolm) and antagonist (Bogue) had more of a background connection and the bad guy’s demise was a little more satisfying in this version than the original. Additionally, the film had a decent build up as the seven were rounded up and the tension was building until the final confrontation, it didn’t have the same impact as the original. And while the final climactic battle between Bogue and his army of men and the citizens of Rose Creek and the seven was cinematic, it seemed a little more than just the underdog beating the odds and coming out victorious. I wanted to like this film more, but overall, it just didn’t catch my interest as much.

I have yet to view the original source (The Seven Samurai), but with an acclaimed remake in 1960 that spawned three sequels, it hardly seems another remake is needed here.

A powerful force is set in motion in ‘Unstoppable’

Rating 3.5/5

This film, based on actual events, suggests what happens when determination and experience are brought forward to solve a pending disaster. All of the elements – story, character, action, and cinematography – come together as director Tony Scott takes Mark Bomback’s script and spins a great story into an action flick that delivers some fine entertainment.

The story begins when an engineer (Ethan Suplee) mistakenly sets a train in motion. It happens when Frank Barnes (Denzel Washington) takes on a new guy, Will Colson (Chris Pine), on another train. We soon discover the two trains are on the same track. To add to the thrills, the unmanned train is carrying toxic chemicals and is headed towards a not so rural area. The person in charge of operations for the railroad, Connie Hooper (Rosario Dawson), is alerted of the situation and discusses with other personnel how to handle the situation. Meanwhile, an executive in the main office, Galvin, played by Kevin Dunn, is more concerned about the cost of losing the train than arriving at a solution that would be beneficial for everyone. After failed attempts at stopping the train (which was warned by Barnes from his 20 plus years of railroading experience that everyone fails to listen to), Hooper begins to take Barnes’ experience into play, despite the continued hesitations from Galvin. A new plan is made on how to slow the train down and it begins to work for a little bit. However, a new plan is made and Barnes and Colson spring to action as a final attempt to stop the train.

Scott uses masterful shots of the train speeding down the track as news choppers hover around providing coverage of the impending disaster. The high-speed velocity of the train adds to the action and builds up, as the train gets closer to the populated town. Character development is somewhat lacking in this film, but that doesn’t seem to really matter as the attention is focused on the actions Barnes and Colson and their actions on stopping the train. There are some character moments from the pair that dives into their lives and explains where they are at that particular time and place, and that only adds to caring what happens to them and whether or not they will succeed. Galvin is your typical greedy executive. Hooper is the character that seems to lean towards her own judgment or executive judgment rather than the experienced employee and soon changes her views. These characters, and the supporting cast, play their characters well enough to care about a few and add to the tension to dislike a few (like Galvin).

Unstoppable is a full throttle train ride of action, tension, a little suspense, and some humor thrown in to make this film an enjoyable film and delivers enough to keep you on the track.